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Versteigert wird hier der Roman "Feuerkäfer" von Thomas Page. Dieses Taschenbuch hat 219 Seiten und ist 1973 im Heyne Verlag erschienen. Kommentare (0)  | EUR 15,90 Enddatum: Freitag Mär-16-2012 19:19:24 CET Sofort-Kaufen für nur: EUR 15,90 Sofort-Kaufen | Zur Liste der beobachteten Artikel hinzufügen |
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- Suche im Shop: ÜBER UNS l IMPRESSUM l FAQ l AGB Unsere Empfehlungen Warrior Cats Staffel 2/05. Die neue Prophezeiung. Dämmerung Kommentare(112) Schöne fantasy page Bilder:
72/365 – And Your Point Is?
Bild von Helga Weber
Well, geez, I don’t know (much like this, heh). Some people are kinda insensitive.
Not really liking this but I didn’t want yet another bland SP for my 365.
It’s a Friday and I’m leaving for the beach in 7 hours. I’ll be back Sunday evening =)
For FF: Favorite words: maudlin. Self-pityingly or tearfully sentimental, often through drunkenness. Basically, me, throughout my college years (a maudlin menace, that was moi). Got nothing to do with the picture, though =p
So many people to credit, haha.
Sky, clock 1, clock 2, book, bear 1, bear 2, shoes, pineapple. Texturized the heck out of it to hide my mistakes.
Explored, front page <3<3
March 13
Julie Andrews Disney Legend at the Disney Legends Plaza
Bild von Loren Javier
Julie Andrews (Film)
Inducted 1991
Julie Andrews was "practically perfect in every way" as Mary Poppins. In her feature film debut role, she bowled everyone over with her charm and sense of fun and as a result, won an Oscar for best actress of 1964.
As film critic Leonard Maltin wrote in his book The Disney Movies, Julie captured "every nuance of the character," created by author P.L. Travers. While Judith Crist, of the New York Herald Tribune, blurred distinction between the character and the actress, when she wrote, "Although she (Mary) pokes her pretty fingers into a world of sticky sweetness, she almost invariably pulls out a plum. All speeches and cream, with a voice like polished crystal, she seems the very image of a prim young governess who might spend her free Tuesdays skittering off to Oz." Indeed, Julie was the very image of Mary Poppins and to many Disney fans, she remains the magical "dream" nanny of their hearts.
Julie was born on October 1, 1935, in Walton-on-Thames, England. During World War II, when schools were forced to close, she took singing lessons to keep busy and her unusual vocal ability, which ranged five octaves, was discovered. By age 12, Julie astounded an audience at the London Hippodrome when she sang a difficult operatic aria in the "Starlight Roof" revue.
She went on to appear in a variety of shows including, "Cinderella" at the London Palladium and "The Boy Friend" on Broadway, which led to her triumphant stage role as Eliza Doolittle in "My Fair Lady."
In the early 1960s, Walt Disney first spotted Julie while she played Queen Guinevere in "Camelot" on Broadway. After the performance, he made a beeline backstage to offer her the title role in his upcoming musical fantasy "Mary Poppins," which went on to win 13 Academy Award nominations, and five Oscars, including best music score, best song, best film editing, and best special visual effects.
As one of Julie’s most enthusiastic supporters, Walt allowed rival producer Martin Ransohoff to view her rushes for "Mary Poppins," which lead to her next film role in "The Americanization of Emily." She then appeared in one of Hollywood’s top-grossing films of all time "The Sound of Music," produced by Robert Wise, for which she won an Oscar nomination. Among her other screen credits are "Hawaii," "Thoroughly Modern Millie" and "Victor/Victoria," for which she won another Oscar nomination in 1982. She reprised the famous role on Broadway in the mid-1990s, and continues her work in film.
The bio comes from the Official Disney Legends Home Page – legends.disney.go.com/legends/index
Anselm Kiefer’s Airplane after Elaine Sturtevant (Video still)
Bild von Christiaan Tonnis
Christiaan Tonnis / Anselm Kiefer’s Airplane after Elaine Sturtevant’s "Kiefer Voyage Au Bout De La Nuit", 1992
It looks like Elaine Sturtevant build Anselm Kiefer’s lead airplane as an exact copy – but she pointed out, that it isn’t neither a copy nor a reconstruction, but better explained with a recreation or new creation.
I used sugar to recreate Elaine Sturtevant’s Anselm Kiefer’s lead airplane, as I keep it in my memory from an exhibition at the MMK Museum für Moderne Kunst, Frankfurt, at the 25th of September 2004. I was so impressed and had to think about it from time to time, that I now took one step further and created Sturtevant’s airplane (made by Kiefer as one of seven) with lumps of sugar.
Baudrillard’s Hyperrealism
"Baudrillard argues that the space that reality once occupied has now been flooded with "meticulous reduplication" 1 to the point that the line between the real and the representation has become blurred or all but lost. He calls this hyperrealism and notes that it is an evolution from surrealism. In surrealism, realism is "redoubled" with elements of the subconscious imaginary. Surrealism sought to expose the blocked reality of dreams. It mixed realism with fantasy and the unreal. Now that unreality is no longer found in the imagery manifest in dreams, but in the representation of the real because the representation has a sort of déjà vu dream-like nature. Baudrillard also says that surrealism is limited to expressing itself in "privileged moments," such as art and the imaginary, whereas hyperrealism is evident in many facets of culture—"political, social, historical, and economic reality." Thus, hyperrealism is a more developed form than surrealism that has spread from its original container of art to all parts of reality. Particularly, it challenges traditional notions about identity because subjectivity is grounded in images, and our relationships to them in delineating what is real and what is not. Though the hyperreal has an affect on culture as a whole, the impact of hyperrealism, and the culture of simulation that it perpetuates, is readily identified in art because of modern technology’s ability to mass reproduce. This is paired with a society based on the foundation of mass media consumption."
Daniel Yang
~ Identity in a Hyperrealistic Society
www.youtube.com/watch?v=PrSPXzfR7s8&feature=channel_page
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